Theater Labrador Inc Dba New Georges
Nonprofit profile at a glance
- EIN
- 133579172
- IRS 990 coverage
- 2012–2025
- Forms available
- Form 990 2025
- Location
- New York, NY, USA
- Phone
- 6463368077
- Rating
- 76
- Verdict
- SUPPORTED
- Rating confidence
- Moderate
- Sector
- Arts, Culture, and Humanities
Reported finances
- Revenue
- $1,136,811
- Expenses
- $742,381
- Assets
- $842,011
- Liabilities
- $68,116
Source: IRS Form 990. Selected filing: tax year 2025. Amounts in USD.
Leadership & pay
10 people listed
Executive titles in this filing
- Rachel Karpf (President)
Highest reported compensation
- Jaynie Saunders Tiller (Board Member): $101,371 total reported compensation
- Deadria Harrington (Secretary): $28,009 total reported compensation
Source: IRS Form 990. Selected filing: tax year 2025. Names and roles reflect this filing, not necessarily current officeholders.
Overview
Mission
Theatrical production of new plays by women and trans/gender-nonconforming artists.
What it reported doing in 2025
Major artistic activities, 2025 Theater Projects: TWO SISTERS FIND A BOX OF LESBIAN EROTICA IN THE WOODS, written and performed by Emma Horwitz and Bailey Williams, directed by Tara Elliott, was co-produced by Rattlestick Theater and New Georges (we originated and developed the work) at HERE Arts Center, March 28 to May 3, 2025. A word-of-mouth hit, the production extended its run by one week after selling out most performances. AKIRA KUROSAWA EXPLAINS HIS MOVIES AND YOGURT (WITH LIVE & ACTIVE CULTURES!) by Julia Izumi, directed by Aileen Wen McGroddy, presented by Woolly Mammoth Theatre Company and produced in partnership with New Georges, May 2 to June 4, 2025, in Washington, DC. IRANIAN GIRLFRIEND, written and directed by SB Tennent, was produced by the lead artist and presented In Collaboration with New Georges at MITU580, September 14 to October 4, 2025. The project, a darkly comic performance installation about displacement, divorce, and dark times, was originally developed in our Audrey Residency program in 2020, and passed through many stylistic iterations and theatrical toolkits before landing in production as an entertaining mix of solo performance, film/video installation and runway fashion show. EVERYTHING IS HERE by Peggy Stafford, directed by Meghan Finn, was presented by The Tank and produced by Peggy Stafford In Collaboration with New Georges at 59e59 Street Theatres, December 3 to 20, 2025. Anchored by an intergenerational cast of one-of-a-kind performers (Mia Katigbak, Pete Simpson, Jan Leslie Harding, Petronia Paley and Susannah Millonzi), the play unfolds at an assisted living facility where three residents mark time in a common room, acting out scenes from a community theater production. Offbeat, unsentimental, and consistently surprising, the play found an intergenerational audience, as well.Ongoing artistic and organizational programs: The Jam: New Georges collaboration-based, artist-led working lab for early- to mid-career theatermakers met biweekly throughout 2025. The Audrey Residencies: the 2025 residency group consists of 12 resident artists working on 8 new-play projects, individually or in collaboration. Participants in New Georges Supported Productions, in which we provide no-fee fiscal sponsorship, promotional support, and an institutional platform to affiliated artists producing their work independently, included LOBSTER, by Kallan Dana, directed by Hanna Yurfest, at The Tank in April/May 2025; A(U)NTS, by Zo Geltman, directed by Julia Sirna-Frest, at The Brick in May 2025; and OPEN, by Crystal Skillman, directed by Jessi D. Hill, in the Space Program at WP Theater in July 2025. The Room/Subsidized Workspace: The Room hosted the rehearsals and development processes of 102 New Georges affiliated artists, both participants in core development programs and our Subsidized Workspace program, which provides our artists with experiment space for their own creative projects at very low rates. In fact, affiliated artist use of The Room is higher than at any time in our history, limiting the income usually provided by outside renters in favor of our artists and mission-driven activity.
Operating model
- Revenue model
- Donor-supported. 85% of the money available for current operations came from contributions and gifts.
- Distribution model
- Direct operator. The filing allocates 100% of reported program-service expenses outside its grant, affiliate-payment, and member-benefit lines. This expense classification does not rule out separately announced grant awards.
The verdict
SUPPORTED - The filed numbers largely add up and a large share of total spending goes to programs. A relatively small share of available resources goes toward mission work and some filing-based governance responses are negative or unanswered.
Rating breakdown
- Financial Efficiency: 63
- Transparency & Controls: 92
- Accountability: 78
- Sustainability: 60
- Growth: 100
Detailed rating inputs
Financial Efficiency
- Mission deployment rate: 53.4%; rating input score 53
- Program expense ratio: 81.6%; rating input score 82
- Fundraising efficiency: $19.96 raised per $1 spent on fundraising; rating input score 55; 55th percentile among comparable filings
Transparency & Controls
- Consistency checks: 100%; rating input score 100; 63rd percentile among comparable filings
- Pay-setting controls: Limited
- Foreign activity oversight: Limited
- Grant itemization coverage: Limited
- Major donor itemization: Yes; rating input score 100
- Related-party transparency: Limited
Accountability
- Independent voting board: 80%; rating input score 80; 21st percentile among comparable filings
- Governance controls: 6 of 8 controls in place; rating input score 75
- Conflict-of-interest policy: Pass
- Whistleblower policy: Pass
- Document-retention policy: Pass
- CEO compensation review process: NotApplicable
- Other executive compensation review process: Fail
- Form 990 shared with the board: Pass
- Board meeting minutes documented: Pass
- Audit committee oversight: Fail
- Independent financial-statement audit: Pass
Sustainability
- Operating margin: 34.7%; rating input score 84; 84th percentile among comparable filings
- Total-asset coverage ratio: 1.13; rating input score 47; 47th percentile among comparable filings
- Liabilities to assets ratio: 0.08; rating input score 37; 37th percentile among comparable filings
- Officer compensation ratio: 17.4%; rating input score 20; 20th percentile among comparable filings
Growth
- Program expense growth: 8.2% per year; rating input score 100; 51st percentile among comparable filings
- Revenue growth: 8.4% per year; rating input score 100; 55th percentile among comparable filings
- Asset growth: 13.4% per year; rating input score 100; 65th percentile among comparable filings
Details
- Where the money goes: 53.4% of revenue deployed · 81.6% of spending went to programs
- Governance: 8 of 10 board members independent · 6 of 8 filing controls reported
- Programs: 1 filed program accomplishment · $606K in reported program spending
- Leadership: top reported pay $101K · 10 people listed
- Consistency: 29 of 29 current checks pass
- Schedules: 5 filed schedules · includes major donors
- Filing history: 14 filing years from 2012 to 2025
- Contacts: How to reach this organization
- Money network: 2 filed money-flow records
- Grant readiness: Federal tax and exclusion status, award history, and grant-maker relationships.
- People: Everyone the filings name, and which of them the filings identify by more than a name.
Key Signals
Signals prioritize questions for review. They are not findings of misconduct.
- Review — Financial Efficiency: Mission deployment rate scored 53/100.
- Review — Accountability: Governance controls: 2 of 8 not reported.
- Review — Financial Efficiency: Fundraising efficiency scored 55/100.
- Moderate — Sustainability: Total-asset coverage ratio scored 47/100.
- High — Sustainability: Officer compensation ratio scored 20/100.
- Moderate — Sustainability: Liabilities to assets ratio scored 37/100.